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INSTRUMENTATION
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SOLOS
    • Solos
    • Alto
    • Trumpet
    • Trombone

    King Porter Stomp (reduction)

    as performed by the Benny Goodman Orchestra
    $60
    When Benny Goodman hired Fletcher Henderson, he turned the band's sound upside down, ushering in a new era of popular music. King Porter Stomp is demonstrative of the Henderson arranging style and is truly a Swing Era anthem. Solo space for several instruments, lots of tight ensemble work, and a roaring finish at the perfect dancing tempo makes this a quintessential piece in any big band's library!
    Instrumentation Ellington 7-Piece
    Style Swing Era
    Level 4
    TEMPO quarter note = 184
    Trumpet
    Range
    Eb6
    • Solos
    • Trumpet

    American Patrol

    as performed by Glenn Miller and His Orchestra
    $80
    American Patrol hit #15 on the Billboard charts in 1942 and was one of Glenn Miller's last hits before joining the military and powered by a creative Jerry Gray arrangement it still holds up today. Mostly full of tight ensemble playing and only a single 16-bar solo, American Patrol is a staple of every big band book.
    Instrumentation Big Band
    Style Swing Era
    Level 3
    TEMPO quarter note = 184
    Trumpet
    Range
    D6
    • Solos
    • Clarinet
    • Trumpet
    • Trombone

    King Porter Stomp

    as performed by the Benny Goodman Orchestra
    $80
    When Benny Goodman hired Fletcher Henderson, he turned the band's sound upside down, ushering in a new era of popular music. King Porter Stomp is demonstrative of the Henderson arranging style and is truly a Swing Era anthem. Solo space for several instruments, lots of tight ensemble work, and a roaring finish at the perfect dancing tempo makes this a quintessential piece in any big band's library!
    Instrumentation Big Band
    Style Swing Era
    Level 4
    TEMPO quarter note = 184
    Trumpet
    Range
    Eb6
    • Solos
    • Trumpet

    Pickin’ the Cabbage (reduction)

    as performed by Cab Calloway and His Orchestra
    $60
    Written for Cab Calloway's band, Pickin' the Cabbage is Dizzy Gillespie's first ever big band composition. The slick tune features a great melody for a trio and many hints of modern bebop and afro-cuban music that would later be Gillespie's trademark.
    Instrumentation Ellington 7-Piece
    Style Swing Era
    Level 3
    TEMPO quarter note = 184
    Trumpet
    Range
    C6
    • Solos
    • Trumpet

    Pickin’ the Cabbage

    as performed by Cab Calloway and His Orchestra
    $80
    Written for Cab Calloway's band, Pickin' the Cabbage is Dizzy Gillespie's first ever big band composition. The slick tune features a great melody for a trio and many hints of modern bebop and afro-cuban music that would later be Gillespie's trademark.
    Instrumentation Big Band
    Style Swing Era
    Level 3
    TEMPO quarter note = 184
    Trumpet
    Range
    C6
    • Solos
    • Alto
    • Tenor
    • Bari
    • Trumpet
    • Piano

    The Right Idea (reduction)

    as performed by Charlie Barnet and his Orchestra
    $60
    Charlie Barnet wrote a trio of "Idea" pieces: one that paid tribute to Duke Ellington, one that parodied the unhip bands of the day, and this one, The Right Idea, a piece that Barnet felt represented a quintessential swing chart. With solo space for several instruments and some great riffs and lines, you can tell right away that Barnet was spot on!
    Instrumentation Ellington 7-Piece
    Style Swing Era
    Level 3
    TEMPO quarter note = 185
    Trumpet
    Range
    C6
    • Solos
    • Alto
    • Trombone
    • Piano

    Dancing on the Stars

    as performed by Johnny Hodges and His Orchestra
    $60
    Dancing on the Stars is a catchy head arrangement that features some nice counterpoint, solo backgrounds, sophisticated harmony compared to many other pieces from the Hodges/Ellington book.
    Instrumentation Ellington 7-Piece
    Style Swing Era
    Level 2
    TEMPO quarter note = 185
    Trumpet
    Range
    E5
    • Solos
    • Clarinet
    • Trumpet

    Minnie the Moocher’s Wedding

    as performed by the Benny Goodman Orchestra
    $80
    This wild piece starts out with Fletcher Henderson quoting of Mendelssohn's "Wedding March," but after two bars it's off to the races with tons of intricate riffs, solos, and a rowdy shout chorus at the end. Watch out for the lightening quick mute changing, which was standard practice in the 1930s. This piece makes a great wedding reception opener and many working bands using it now will open up the first solo section as a vamp to introduce a wedding party.
    Instrumentation Big Band
    Style Swing Era
    Level 4
    TEMPO quarter note = 185
    Trumpet
    Range
    C6
    • Solos
    • Alto
    • Trumpet

    Minnie the Moocher’s Wedding (reduction)

    as performed by the Benny Goodman Orchestra
    $60
    This wild piece starts out with Fletcher Henderson quoting of Mendelssohn's "Wedding March," but after two bars it's off to the races with tons of intricate riffs, solos, and a rowdy shout chorus at the end. Watch out for the lightening quick mute changing, which was standard practice in the 1930s. This piece makes a great wedding reception opener and many working bands using it now will open up the first solo section as a vamp to introduce a wedding party.
    Instrumentation Ellington 7-Piece
    Style Swing Era
    Level 4
    TEMPO quarter note = 185
    Trumpet
    Range
    C6
    • Solos
    • Alto
    • Tenor
    • Trumpet
    • Piano

    The Right Idea

    as performed by Charlie Barnet and his Orchestra
    $80
    Charlie Barnet wrote a trio of "Idea" pieces: one that paid tribute to Duke Ellington, one that parodied the unhip bands of the day, and this one, The Right Idea, a piece that Barnet felt represented a truly quintessential swing chart. With solo space for several instruments and some great riffs and lines, you can tell right away that Barnet was spot on!
    Instrumentation Big Band
    Style Swing Era
    Level 3
    TEMPO quarter note = 185
    Trumpet
    Range
    C6
    • Solos
    • Tenor
    • Piano

    Flip Lid

    as performed by Les Brown and His Band of Renown
    $80
    Flip Lid comes at the peak of Les Brown's band, coming out of the swing era with Lunceford and Basie sensibilities, but tapping into the bebop vocabulary of Dizzy Gillespie's and Woody Herman's bands. Featuring the trumpet section throughout the head and a well balanced shout chorus, this swingin' chart sits right in between two eras of jazz. This is a very soft level 4, just a tad too difficult for level 3.
    Instrumentation Big Band
    Style Bebop, Swing Era
    Level 4
    TEMPO quarter note = 188
    Trumpet
    Range
    C6
    • Solos
    • Tenor
    • Bari
    • Piano

    Flip Lid (reduction)

    as performed by Les Brown and His Band of Renown
    $60
    Flip Lid comes from the peak of Les Brown's band, coming out of the swing era with Lunceford and Basie sensibilities, but tapping into the bebop era of Dizzy's and Woody Herman's bands. Featuring the horn section throughout the head and a well balanced shout chorus, this swingin' chart sits right in between two eras of jazz.
    Instrumentation Ellington 7-Piece
    Style Bebop, Swing Era
    Level 4
    TEMPO quarter note = 188
    Trumpet
    Range
    C6
    • Solos
    • Alto
    • Bari
    • Trumpet
    • Trombone
    • Piano

    Swinging in the Dell

    as performed by Johnny Hodges and His Orchestra
    $60
    This upbeat Hodges/Ellington piece is a variation on the old nursery rhyme The Farmer in the Dell. After a statement of the melody, it's all solos with background riffs until the melody comes back at the end. Swinging in the Dell is a very simple solo vehicle that's great for getting dancers on the floor!
    Instrumentation Ellington 7-Piece
    Style Swing Era
    Level 2
    TEMPO quarter note = 190
    Trumpet
    Range
    G5
    • Solos
    • Soprano
    • Bari
    • Trumpet
    • Trombone

    Empty Ballroom Blues

    as performed by Johnny Hodges
    $60
    Empty Ballroom Blues (which is not a blues!) is an Hodges/Ellington piece with great big riffs and big solo sections, and it makes for a great finale number!
    Instrumentation Ellington 7-Piece
    Style Swing Era
    Level 3
    TEMPO quarter note = 190
    Trumpet
    Range
    A5
    • Solos
    • Bari
    • Trombone
    • Piano

    Jet Lag

    as performed by Rocco and the Stompers
    $65
    Jet Lag is an Ellington-inspired riff tune with a serious harmonic twist. The serpentine changes in Bb are functional and logical but require a bit more focus than usual and the slightly behind-the-chords melody all work together to bring the title to life. This is an experimental chart that is a great workout for your best improvisers.
    Instrumentation Ellington 7-Piece
    Style Swing Era
    Level 4
    TEMPO quarter note = 190
    Trumpet
    Range
    C6
    • Solos
    • Alto
    • Trumpet
    • Trombone
    • Piano

    Rendezvous with Rhythm

    as performed by Johnny Hodges and His Orchestra
    $60
    Rendezvous with Rhythm is a unique tune that bridges the gap between hot jazz and swing with plenty of space for solos. Simple riffs and a tidy shout chorus drive this deceptively swinging Ellington/Hodges chart to a quiet and abrupt ending.
    Instrumentation Ellington 7-Piece
    Style Swing Era
    Level 3
    TEMPO quarter note = 194
    Trumpet
    Range
    A5
    • Solos
    • Clarinet
    • Tenor
    • Trumpet
    • Trombone

    Lindyhopper’s Delight

    as performed by the Chick Webb Orchestra
    $80
    As standard dance repertoire, Lindyhopper's Delight is a catchy riff tune with a startlingly modern middle chorus that features some relatively harsh sax harmonies flanked by thickly-voiced plunger-supported brass hits. The final chorus is a raucous one, even though the brass are in full octave unison on a concert Bb! This is a great tune for any library though, and a good, albeit sometimes tricky, introduction to plungers for younger brass players.
    Instrumentation Big Band
    Style Swing Era
    Level 2
    TEMPO quarter note = 195
    Trumpet
    Range
    A5
    • Solos
    • Alto
    • Trumpet

    Swingin’ on the Campus

    as performed by Johnny Hodges and His Orchestra
    $60
    Swingin' on the Campus is an aggressive hard swinging tune jam packed with killer riffs and solo space. This simply-constructed piece is built on a variation of rhythm changes and is a difficult level 2 because of the relatively high tempo and brass endurance.
    Instrumentation Ellington 7-Piece
    Style Swing Era
    Level 2
    TEMPO quarter note = 195
    Trumpet
    Range
    G5
    • Solos
    • Alto
    • Tenor
    • Bari
    • Trumpet
    • Trombone

    Lindyhopper’s Delight (reduction)

    as performed by the Chick Webb Orchestra
    $60
    As standard dance repertoire, Lindyhopper's Delight is a catchy riff tune with a startlingly modern middle chorus that features some relatively harsh sax harmonies flanked by thickly-voiced plunger-supported brass hits. The final chorus is a raucous one, even though the brass are in full octave unison on a concert Bb! This is a great tune for any library though, and a good, albeit sometimes tricky, introduction to plungers for younger brass players.
    Instrumentation Ellington 7-Piece
    Style Swing Era
    Level 2
    TEMPO quarter note = 195
    Trumpet
    Range
    A5
    • Solos
    • Alto
    • Tenor
    • Trumpet
    • Trombone

    Keep Punchin’

    as performed by the Lee Norman Orchestra
    $80
    Also known as "The Big Apple Contest," this is a swing dancer staple and a must-have for any band that will ever play for swing dancers! After the famous simple intro a brass trio work plays off of a sax riff, and from there on it's simple burnin' riffs all the way home, with lots of great brass plunger work.
    Instrumentation Big Band
    Style Swing Era
    Level 2
    TEMPO quarter note = 200
    Trumpet
    Range
    Eb5
    • Solos
    • Alto
    • Tenor
    • Bari
    • Trumpet
    • Trombone

    Keep Punchin’ (reduction)

    as performed by the Lee Norman Orchestra
    $60
    Also known as "The Big Apple Contest," Keep Punchin' is a swing dancer staple and a must-have for any band that will ever play for swing dancers! After the famous simple intro a brass trio work plays off of a sax riff, and from there on it's simple burnin' riffs all the way home, with lots of great brass plunger work.
    Instrumentation Ellington 7-Piece
    Style Swing Era
    Level 2
    TEMPO quarter note = 200
    Trumpet
    Range
    Eb5
    • Solos
    • Clarinet
    • Tenor
    • Trombone

    Diga Diga Doo

    as performed by the Artie Shaw Orchestra
    $80
    Diga Diga Doo was a heavily covered tune in the 1920s and '30s, but Artie Shaw's version was one of the tightest. A hard swinging and nimble riff vehicle that has some room for solos as well, Diga is a great upbeat piece that isn't too tricky and has lots of fun moments! Saxes configured as CAATT.
    Instrumentation Big Band
    Style Swing Era
    Level 3
    TEMPO quarter note = 205
    Trumpet
    Range
    Eb6
    • Solos
    • Alto
    • Tenor
    • Bari
    • Trombone

    Diga Diga Doo (reduction)

    as performed by the Artie Shaw Orchestra
    $60
    Diga Diga Doo was a heavily covered tune in the 1920s and '30s, but Artie Shaw's version was one of the tightest. A hard swinging and nimble riff vehicle that has some room for solos as well, Diga is a great upbeat piece that isn't too tricky and has lots of fun moments!
    Instrumentation Ellington 7-Piece
    Style Swing Era
    Level 3
    TEMPO quarter note = 205
    Trumpet
    Range
    Eb6
    • Solos
    • Tenor
    • Trumpet
    • Trombone
    • Drums

    Up An Atom

    as performed by Gene Krupa and His Orchestra
    $80
    Another killin' Edwin Finckel original, Up an Atom pushes Gene Krupa's young orchestra to the limit, blurring the line between swing and bebop. Long stretches of solo space and plenty of great ensemble passages makes this a great flagwaver.
    Instrumentation Big Band
    Style Bebop, Swing Era
    Level 4
    TEMPO quarter note = 212
    Trumpet
    Range
    D6
  • Joy to the World

    as performed by the Danny Fratina Brass Quartet
    $35
    This arrangement of Joy to the World has a range of dynamics and harmonies and is a killer upgrade to the more traditional versions out there. Now in a fast 3/4 time signature, this version has a lead trumpet melody part that is virtually unaltered, with colorful counterparts and reharmonizations flying around it.
    Instrumentation Brass Quartet
    Style Classical, Modern Jazz
    Level 3
    TEMPO quarter note = 220
    Trumpet
    Range
    G5
    • Solos
    • Alto

    A Form of Art

    as performed by the Danny Fratina Jazz Orchestra
    $95
    A Form of Art is a wild alto sax feature filled with the vocabulary of Duke Ellington and Paul Gonsalves. This is a frenetic, crescendoing rhythm changes tune featuring the alto soloing throughout. It's purely an improvisation vehicle; there is no melody for the alto to play. You must have an alto saxophone player in your band who is comfortable keeping the energy up across one long extended solo.
    Instrumentation Big Band
    Style Swing Era
    Level 4
    TEMPO quarter note = 220
    Trumpet
    Range
    Eb6
    • Solos
    • Tenor
    • Trumpet
    • Piano
    • Drums

    Swingin’ the Blues

    as performed by Count Basie and His Orchestra
    $80
    This early Count Basie barn burner absolutely crushes on the blues, with catchy section work, a killer shout chorus, and solo space for both tenors and two trumpets. Starting small up front in the key of C, this arrangement builds up with great riffs, a Durham/Lunceford style chromatic modulation, and a massive shout chorus in two parts.
    Instrumentation Big Band
    Style Swing Era
    Level 3
    TEMPO quarter note = 225
    Trumpet
    Range
    Eb6
    • Solos
    • Alto
    • Tenor
    • Bari
    • Trumpet
    • Trombone
    • Piano

    Man From Mars (reduction)

    as performed by the Artie Shaw Orchestra
    $60
    Man From Mars is an uptempo puncher with some slick solo spots and cool riffs for each section. A little intricate for a level 3, but not quite as demanding as a level 4, this piece swings hard and ends with a bang.
    Instrumentation Ellington 7-Piece
    Style Swing Era
    Level 3
    TEMPO quarter note = 230
    Trumpet
    Range
    D6
    • Solos
    • Alto
    • Bari
    • Trumpet
    • Trombone
    • Bass
    • Piano
    • Drums

    The Wilhelm Scream

    as performed by Rocco and the Stompers
    $65
    The Wilhelm Scream is a flag waving jam session tune in the spirit of a Basie-style Lester Leaps In or a Shaw-style Diga Diga Doo that is open for solos for any/all instruments in the band. Built modularly, there are unique horn backgrounds that can be played depending on which instrument is soloing, with a final cued shout chorus that brings the house down!
    Instrumentation Ellington 7-Piece
    Style Swing Era
    Level 3
    TEMPO quarter note = 230
    Trumpet
    Range
    Bb5
    • Solos
    • Clarinet
    • Tenor
    • Trumpet
    • Trombone
    • Piano

    Man From Mars

    as performed by the Artie Shaw Orchestra
    $80
    Man From Mars is an uptempo puncher with some slick solo spots and cool riffs for each section. A little intricate for a level 3, but not quite as demanding as a level 4, this piece swings hard and ends with a bang.
    Instrumentation Big Band
    Style Swing Era
    Level 3
    TEMPO quarter note = 230
    Trumpet
    Range
    D6
    • Solos
    • Clarinet
    • Tenor
    • Bari
    • Trumpet
    • Trombone

    Bugle Call Rag (reduction)

    as performed by the Benny Goodman Orchestra
    $60
    Bugle Call Rag is an all out flag waver that was a major hit for Benny Goodman. With simple chords and riffs and lots of solo space, this burning boogie-woogie/swing hybrid swings hard and is a quintessential swing era anthem.
    Instrumentation Ellington 7-Piece
    Style Swing Era
    Level 3
    TEMPO quarter note = 235
    Trumpet
    Range
    C6
    • Solos
    • Clarinet
    • Tenor
    • Trumpet
    • Trombone

    Bugle Call Rag

    as performed by the Benny Goodman Orchestra
    $80
    Bugle Call Rag is an all out flag waver that was a major hit for Benny Goodman. With simple chords and riffs and lots of solo space, this burning boogie-woogie/swing hybrid swings hard and is a quintessential swing era anthem.
    Instrumentation Big Band
    Style Swing Era
    Level 3
    TEMPO quarter note = 235
    Trumpet
    Range
    C6
    • Solos
    • Clarinet
    • Trumpet
    • Drums

    Anchors Aweigh

    as performed by Glenn Miller and His Orchestra
    $80
    Anchors Aweigh is a classic Glenn Miller flag waver and it is a beast of chart. Lightning fast mute changes, rapid fire horn lines, swinging fanfare sections, and a rager of a back half make this is a difficult but exciting chart despite the unassuming source material it's based off of.
    Instrumentation Big Band
    Style Swing Era
    Level 4
    TEMPO quarter note = 270
    Trumpet
    Range
    B5

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