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Ilkimcim Için Bir Şarkı is an original song I wrote for my wonderful girlfriend's birthday and is the first in a series of small chamber music compositions that make up a larger musical and visual project. This jazz ballad has a melody that is almost entirely diatonic and in a major key, but with underlying harmony that is juxtaposed with lots of reharmonizations and darker minor chords. It's a passionate piece with emotional complexity, but it never doubts itself and ultimately settles on a balanced major tonic chord in the end.Instrumentation Brass Quartet Style Modern Jazz Level 1 TEMPO 
= 90Trumpet
Range
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- Solos
This Cootie Williams number is a great easy piece that still authentically swings hard. The original recording of Do Some War Work, Baby has a vocal chorus in the middle, but this transcription replaces it with a solo chorus for bari sax and alters the ending to make it fully instrumental. The vocal version can be found here.Instrumentation Ellington 7-Piece Style Swing Era Level 1 TEMPO = 140Trumpet
Range
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- Solos
This hip Artie Shaw original features a little of everyone at the perfect dance tempo. Anecdotally, When the Quail Come Back to San Quentin was written in response to a music business insider's request for Shaw to play a sappy hit of the day. Shaw instead went live to air with this antithetical parody that seriously swings.Instrumentation Ellington 7-Piece Style Swing Era Level 3 TEMPO = 170Trumpet
Range
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- Solos
This upbeat Hodges/Ellington piece is a variation on the old nursery rhyme The Farmer in the Dell. After a statement of the melody, it's all solos with background riffs until the melody comes back at the end. Swinging in the Dell is a very simple solo vehicle that's great for getting dancers on the floor!Instrumentation Ellington 7-Piece Style Swing Era Level 2 TEMPO = 190Trumpet
Range
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- Solos
Coming out the same year as Prohibition, Avalon is one of the earliest jazz standards of the 20th century. Here, it's slowed down to a super slick beginner's dancing tempo featuring trombone on a staccato melody with a sassy background trio of cup mute trumpet, alto and bari sax almost taking over as a new melody over the bone.Instrumentation Ellington 7-Piece Style Swing Era Level 3 TEMPO = 120Trumpet
Range
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- Solos
Swingin' on the Campus is an aggressive hard swinging tune jam packed with killer riffs and solo space. This simply-constructed piece is built on a variation of rhythm changes and is a difficult level 2 because of the relatively high tempo and brass endurance.Instrumentation Ellington 7-Piece Style Swing Era Level 2 TEMPO = 195Trumpet
Range
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- Solos
This Cootie Williams number is a great easy piece that still authentically swings hard. Do Some War Work, Baby has a vocal chorus in the middle, but an instrumental adaptation is available here, replacing the vocals with a solo chorus for bari sax and altering the ending.Instrumentation Ellington 7-Piece Style Swing Era Level 1 Vocals Male TEMPO = 140Trumpet
Range
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This arrangement of Joy to the World has a range of dynamics and harmonies and is a killer upgrade to the more traditional versions out there. Now in a fast 3/4 time signature, this version has a lead trumpet melody part that is virtually unaltered, with colorful counterparts and reharmonizations flying around it.Instrumentation Brass Quartet Style Classical, Modern Jazz Level 3 TEMPO = 220Trumpet
Range
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- Solos
Gene Ammons preaches on in Brother Jug's Sermon, a soulfully grooving dance tune that now fully features bari sax. The horn backgrounds are simple enough--a couple of horn turns and a few suggested high notes in the bari make this an easy level 2. Swing music has never been so hip!Instrumentation Ellington 7-Piece Style Bebop, Swing Era Level 2 TEMPO = 145Trumpet
Range
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- Solos
The unassumingly-titled "That's Rhythm" is a colorful tune that straddles the line between the swing era and the bebop era. Written by Ellington sideman Rex Stewart for his own shorter-lived 4-horn band, "Rhythm" features a punchy and memorable head and lots of solo space.Instrumentation Ellington 7-Piece Style Swing Era Level 2 TEMPO = 148Trumpet
Range
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- Solos
Junior Hop is a nice walkin' alto feature with some simple but melodic three-part backgrounds. The trio takes over for a bit on a catchy new melody built on strong triads. The trombone part is a little on the high side for a Level 2 (up to high A).Instrumentation Ellington 7-Piece Style Swing Era Level 2 TEMPO = 140Trumpet
Range
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The Holly and the Ivy is presented here in a contemporary arrangement that puts a new spin on an old classic. The first half is in an aggressive fanfare style with rapid fire harmonized lines and quick tonal shifts. The second half goes to a half time feel with three part harmony over a fusion jazz style tuba line. All of this ends with a punchy coda and a bold final chord. Basically, this one is super fun to play!Instrumentation Brass Quartet Style Classical, Modern Jazz Level 4 TEMPO = 120Trumpet
Range
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O Tannenbaum, also known as O Christmas Tree, is typically played in a slower 3/4 time. Here, it's in a swinging 4/4 groove with textures that jump in and out of solo, concerted and counterpoint with harmony ranging from traditional to a more aggressive Duke Ellington style.Instrumentation Brass Quartet Style Bebop Level 3 TEMPO = 130Trumpet
Range
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God Rest You Merry, Gentlemen is a 500 year old holiday standard that has undoubtedly been recorded hundreds of times, and every holiday brass book needs a copy. This tasteful version for brass quartet features traditional harmony that slowly develops into something a little more modern and unique without ever becoming unrecognizable, ending with a conventional Picardy third.Instrumentation Brass Quartet Style Classical Level 1 TEMPO = 120Trumpet
Range
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- Solos
Emerald is a Rocco and the Stompers original that primarily features the alto sax with triad counterpoint a la Johnny Hodges and Duke Ellington. This is a fun an interesting chart considering how relatively easy it is, and it's always a hit with dancers!Instrumentation Ellington 7-Piece Style Swing Era Level 2 TEMPO = 150Trumpet
Range
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This classic Christmas carol has been tastefully arranged with some traditional harmony and some modernized harmony. This is an easy but sophisticated arrangement designed for a flip book and outdoor performing.Instrumentation Brass Quartet Style Classical Level 2 TEMPO = 100Trumpet
Range
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- Solos
This 19th century Christmas standard belongs in every brass quartet book, and this new arrangement puts it right on the edge of traditional and modern. Featuring a solo tuba up front and bringing the other instruments in with heavy functional reharmonization, the piece beautifully makes its way to a melancholy but resolved conclusion.Instrumentation Brass Quartet Style Classical, Modern Jazz Level 1 TEMPO = 120Trumpet
Range
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- Solos
Also known as "Non-Violent Integration", Who Struck John? is a very simple but very cool head tune. This arrangement is unusual in its use of rock/metal style parallel fifths in the rhythm section, otherwise known in modern times as barre chords. This is a chart for jamming on a straight-ahead D Major blues, with solo space for nearly everyone.Instrumentation Ellington 7-Piece Style Swing Era Level 1 TEMPO = 160Trumpet
Range
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- Solos
This alto feature is a perfect tempo for new dancers and has some very cool background lines from the trio of trumpet, trombone, and bari sax. Let your alto play out a la Johnny Hodges and have your trio dig in with some conviction and this chart will swing hard.Instrumentation Ellington 7-Piece Style Swing Era Level 2 TEMPO = 125Trumpet
Range
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- Solos
Hobbledehoy is a long outdated word meaning a clumsy or awkward youth. This tune captures that spirit while still swinging and providing a perfect foundation for dancers. The melody is mostly in unison with some riffs and 3-part background lines behind the solos. This one is a hit that your band will love!Instrumentation Ellington 7-Piece Style Swing Era Level 2 TEMPO = 140Trumpet
Range
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- Solos
Aside from a little chromaticism on the bridge, You Talk a Little Trash is a solid level 1 swinger. Most of the melody is unison, the changes are simple, the tempo is an easy-going 160bpm, and the lines are timeless. Cootie Williams shows that you can do a lot with a little on this catchy chart.Instrumentation Ellington 7-Piece Style Swing Era Level 1 TEMPO = 160Trumpet
Range
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- Solos
This obscure tune swings along with great riffs and colorful ensemble moments. I Know What You Do is a bit more chromatic than other level 2 Ellington pieces, but it all fits nicely together.Instrumentation Ellington 7-Piece Style Swing Era Level 2 TEMPO = 180Trumpet
Range
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- Solos
Johnson Rag is an old, relatively obscure tune, seen here fleshed out into a fat swinging arrangement influenced by the writing style of Duke Ellington and Fletcher Henderson. The chart includes a bass/piano/bari riff, the trombone on the melody, a trumpet/alto pep section, and an original bridge, all with a middle section featuring a brass battle.Instrumentation Ellington 7-Piece Style Swing Era Level 2 TEMPO = 160Trumpet
Range
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- Solos
A well-rounded starter chart (especially for younger bands), Goin' Out the Back Way features a nice melody with every instrument in the comfortable zones of their ranges, simple backgrounds, cool chord changes, and a medium tempo. A couple of instruments that don't get too many solos have their space here as well. Slightly tricky for a level 1, but nothing crazy!Instrumentation Ellington 7-Piece Style Swing Era Level 1 TEMPO = 155Trumpet
Range
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- Solos
Savoy Strut is a major hidden gem from the swing era! Duke Ellington starts the tune up with an unusually angular intro, which takes us to a winding but singable head. The soloists play over a beautiful and remarkable chord progression which also features some player-specific orchestration choices that take advantage of the unique sounds of his players. A must-have for any Ellington 7-piece ensemble!Instrumentation Ellington 7-Piece Style Swing Era Level 3 TEMPO = 160Trumpet
Range
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- Solos
Dancing on the Stars is a catchy head arrangement that features some nice counterpoint, solo backgrounds, sophisticated harmony compared to many other pieces from the Hodges/Ellington book.Instrumentation Ellington 7-Piece Style Swing Era Level 2 TEMPO = 185Trumpet
Range
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Angels We Have Heard on High is a Christmas standard so old that we don't know who wrote it or when it was written. A few tasteful and understated 20th century reharmonizations dot this simple and classic traditional chorale, a must-have in every holiday brass quartet book.Instrumentation Brass Quartet Style Classical Level 1 TEMPO = 120Trumpet
Range
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Chorale #2 is a short original piece written for brass quartet in the spirit of the holiday season. At once a gentle fanfare, a lament on the darkness of society, and a celebration of the best humankind has to offer, Chorale #2 churns and crawls its way to a triumphant final chord.Instrumentation Brass Quartet Style Classical Level 3 TEMPO = 80Trumpet
Range
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- Solos
Also known as "The Big Apple Contest," this is a swing dancer staple and a must-have for any band that will ever play for swing dancers! After the famous simple intro a brass trio work plays off of a sax riff, and from there on it's simple burnin' riffs all the way home, with lots of great brass plunger work.Instrumentation Big Band Style Swing Era Level 2 TEMPO = 200Trumpet
Range
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- Solos
Also known as "The Big Apple Contest," Keep Punchin' is a swing dancer staple and a must-have for any band that will ever play for swing dancers! After the famous simple intro a brass trio work plays off of a sax riff, and from there on it's simple burnin' riffs all the way home, with lots of great brass plunger work.Instrumentation Ellington 7-Piece Style Swing Era Level 2 TEMPO = 200Trumpet
Range
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- Solos
The Intimacy of the Blues is notable not just for it's striking melody--this was one of the very last compositions ever written by longtime Ellington collaborator Billy Strayhorn. This medium tempo Eb blues is good for a band of any skill level, and a great historical addition to your book.Instrumentation Ellington 7-Piece Style Swing Era Level 1 TEMPO = 110Trumpet
Range
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- Solos
Skunk Hollow Blues is a very laid back colorful blues and a fantastic rare gem of the swing era. The intro and head features plunger trumpet on one line, bari and trombone on another, and the alto on a third melody, a rare true 3-part counterpoint! Riffs and triadic voicings back up a couple of solos, leading to an ending chorus that is half based on the head and half new material full of creeping chromatic motion full of dynamics.Instrumentation Ellington 7-Piece Style Swing Era Level 2 TEMPO = 125Trumpet
Range
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- Solos
Good Queen Bess is a standout riff tune from the Hodges/Ellington book, complete with a lighthearted, catchy melody, and player-unique background voicings. The solo changes are fairly standard but colorful and make for a great jam vehicle for your band.Instrumentation Ellington 7-Piece Style Swing Era Level 3 TEMPO = 150Trumpet
Range
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